![]() ![]() Lawson and Eric Yalkut Chase, production designer Eve McCarney and DP Pascal Combes-Knokewere were likely not working with studio-level resources. This is terrifically staged, especially considering that Cohn, visual effects supervisors Joseph J. But soon enough they’ve made a slow-mo ascent up the stairway - for the final time, in the case of six out of 26 on board - and eventually the plane is out of fuel and gliding toward a horrific landing in a Mississippi forest. There is much discussion about the wisdom of proceeding in such a jalopy, with pilots whose star-struckness doesn’t instill much professional confidence. ![]() (Members of that band are portrayed, too, for about half a minute, enjoying their own sex-and-drugs fringe benefits.) The very first flight on this new acquisition has some literally jolting moments, as one of the engines loudly backfires and shoots flames. There’s a casual verisimilitude that makes this part of the movie feel like it might actually have been shot in the ’70s, not just because of rampant, period-appropriate hairiness that makes it sometimes hard to tell all the hirsute faces apart, but in the rowdy banter that gets exchanged backstage, even as the topless romantic interests of the night come in and out of frame.Īll good “Almost Famous”-style idylls must come to an end, of course, and this film starts toward its anxious mid-section with the procurement of a prop plane that Aerosmith has wisely turned down. Somewhat to its credit, the movie doesn’t attempt to portray the group as star-crossed saints. ![]() Within minutes the film is already flashing forward to October of ’77, a few days before the fateful calamity. Once the real Pyle gets his on-screen prelude out of the way, the movie joins up with Shultis’ Pyle as a young man thrashing on the kit in his garage when he gets the call that Van Zant is interested in having him fill in for an erratic drummer who’s on the outs with the already famous band. All that is to say that it may not have been a strictly artistic choice for writer-director Jared Cohn to keep some of the band members undefined, although doomed singer Ronnie Van Zant (Taylor Clift) does get plenty of time as a sort of mythological supporting player in Pyle’s story. Pyle is apparently legally prohibited from participating in a movie that tells the full Lynyrd Skynyrd story, and other band members who survived or their estates filed a lawsuit trying to stop this one, although an appeals court eventually let him and the production company proceed. ![]()
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